Francesco del Cossa


Francesco del Cossa

Berenson attributed the panel to Ercole de'Roberti but Longhi considered it a work by Francesco del Cossa from his Bolognese period, an attribution supported by various other authors. Longhi also doubted that it was a portrait of Francesco Francia due to the sitter's clothes and the typology of the work. In 1915 Cook suggested that the.


Francisco del cosa / Homme tenant une bague . 1472 Renaissance portrait, Renaissance portraits

Francesco del Cossa (c. 1430 - c. 1477) was an Italian Renaissance painter of the School of Ferrara, who after 1470 worked in Bologna. Cossa is best known for his frescoes, especially his collaboration with Cosimo Tura on a cycle of the months in the Palazzo Schifanoia of the Este family, rulers of Ferrara. Otherwise, his paintings.


Francesco del Cossa, Annunciazione, 1470c. Dipinti rinascimentali, Dresda, Rinascimento italiano

Francesco del Cossa (c. 1430 - c. 1477) was an Italian early-Renaissance (or Quattrocento) painter of the School of Ferrara. Francesco del Cossa. Italian painter (1436-1477) Upload media. Wikipedia. Date of birth. 1436 (statement with Gregorian date earlier than 1584) Ferrara. Date of death.


Francesco del Cossa (14301477) — Portrait of a Man with a Ring, 14721477 Museo Thyssen

Francesco del Cossa. Ferrara, ca. 1435-Bologna, 1476/77. Cossa was born into a family of artists in Ferrara around 1435 and his father worked on the construction of cathedrals. The first document that relates to his activities as a painter records a payment for a work for the high altar of Ferrara cathedral in 1456.


Francesco del Cossa Renaissance, Frescoes, Ferrara Britannica

by Francesco del COSSA. The most remarkable surviving project of Ferrarese artists in the Quattrocento is the fresco cycle lining the Salone dei Mesi (Room of the Months), the main hall in the Palazzo Schifanoia at Ferrara, a hunting lodge enlarged by Duke Borso d'Este beginning around 1465. The frescoes are related to the calendar.


Francesco del Cossa Alchetron, The Free Social Encyclopedia

Francesco del Cossa Biography. and Ercole de'Roberti, Francesco del Cossa belonged to the great trio of the Ferrara school of painting. Cosmè Tura's assistant and partner in Ferrara, Cossa reduced his master's austerity in his own more genial style of painting. Although less fantastic in temperament than Tura, it is sometimes difficult to.


Francesco del Cossa Saint Lucy, ca. 1473/1474 Tutt'Art Pittura * Scultura * Poesia * Musica

Cossa, the son of a stone mason, was born in Ferrara about 1436. Although the artist's first documented activity occurred in 1456, his earliest surviving datable paintings are from 1469 or so, making it difficult to reconstruct his early development with any confidence. Cossa's style shared in and helped to define the characteristic Ferrarese.


CategoryFrancesco del Cossa John the baptist, Web gallery of art, Oil painting reproductions

Francesco del Cossa (born 1436, Ferrara, Duchy of Ferrara—died 1478, Bologna, Emilia) early Renaissance painter of the Ferrarese school who, through his seven years' residence in Bologna, exercised a profound influence on the course of Bolognese painting. Cossa's style is characterized by stiff, heavy drapery folds and a sharply linear.


Francesco del Cossa

Details from Francesco del Cossa, Mese di Marzo (Month of March), Hall of the Months, Palazzo Schifanoia, Ferrara, c1469. I called up the stairs. Have you heard of this place in Ferrara called the.


Francesco del Cossa Saint Lucy, ca. 1473/1474 Tutt'Art Pittura * Scultura * Poesia * Musica

Medium. Tempera. Dimensions. 79 cm × 55 cm (31 in × 22 in) Location. National Gallery of Art, Washington D.C. Saint Floriano is a tempera and gold panel painting (79 × 55 cm) by Francesco del Cossa, created circa1472 and on display at the National Gallery of Art in Washington. The work was the upper left panel of the Griffoni Polyptych [ it].


francesco del cossa on Tumblr

Frescos in Palazzo Schifanoia (detail) Francesco del Cossa • 1470. Allegory of March - Triumph of Minerva and Sign of Aries. Frescos in Palazzo Schifanoia (detail) Francesco del Cossa • 1470. 1-20 out of 95 LOAD MORE. List of all 95 artworks by Francesco del Cossa Go to Artist page.


Portrait of a Man with a Ring Cossa, Francesco del. Museo Nacional ThyssenBornemisza

Francesco del Cossa (c. 1430 - c. 1477) was an Italian Renaissance painter of the School of Ferrara. The son of a stonemason in Ferrara, little is known about his early works, although it is known that he travelled outside of Ferrara in his late twenties or early thirties.


Francesco del Cossa Saint Lucy, ca. 1473/1474 Tutt'Art Pittura * Scultura * Poesia * Musica

Written by: Meryam Joobeur. Produced by: Maria Gracia Turgeon, Habib Attia. Mohamed is deeply shaken when his oldest son Malik returns home after a long journey with a mysterious new wife. Watch now. 'Allegory of May' was created in 1470 by Francesco del Cossa in Early Renaissance style. Find more prominent pieces of allegorical painting at.


Francesco del Cossa, Le Mois d’Avril, fresque (détail), 14691470. Salon des Mois, palais

Francesco del Cossa (Ferrara, 1436 - Bologna, 1478) è stato un pittore e scultore italiano. Fu con Cosmè Tura ed Ercole de' Roberti uno dei pittori più importanti della scuola ferrarese del XV secolo. Vita e opere Formazione. La vita di Francesco del Cossa è in generale scarsamente documentata..


Francesco del Cossa, Detail of the Annunciation, 1470, Dresden,... Download Scientific Diagram

Francesco del Cossa. Overview / In-depth. Saint Vincent Ferrer was a Spanish friar and missionary, and a member of the Dominican Order (the religious order founded by Saint Dominic); he was officially declared a saint in 1455. He is shown raising a finger demonstratively: he was known as a passionate preacher whose stirring sermons sometimes.


Albert Bierstadt Museum Sta Lucia Francesco del Cossa

The case Warburg makes is for Francesco del Cossa's frescoes in the Palazzo Schifanoia in Ferrara, Italy (c.1469). They are part of a cycle depicting the months of the year. Seven of the original works have been recovered, including the three that Del Cossa was commissioned to paint: March, April and May. Their pictorial language is as.